Scion
The School of Athens
(http://www.artchive.com/artchive/r/raphael/school_athens.jpg)
Perhaps Darla's original question is a rich line of inquiry because (IMO) it contains several embedded questions that interact in fascinating ways...
The first question has to do with the nature of an Ur-Tarot. The second has to do with the Marseilles role as an Ur-Tarot. And the third is a call for specific reasons some folks identify the Marseilles as that Ur-Tarot.
It seems to me that a lot of the "disagreement" in this thread has to do with vagueness of definition of the "UR" prefix. With something as subjective as Tarot, let alone Tarot history, let alone personal opinions about Tarot history, greater clarity of definition can only lead to more specific and useful answers. I apologize if I sound like one of my philosophy professors at college.
The idea of "Ur-" is at the root of all metaphysics: What is the first thing? What is the nature of creation? What are the building blocks of the universe? One of my professors at Columbia used to say that essentially all of Philosophy can be seen as a recapitulation and response to Plato and/or Aristotle across human history. This is where the Rafael's painting "The School of Athens" comes in...
In the painting, Plato, wrapped in red, points up to indicate that the order of all things can be discerned from contemplation of abstraction. For Plato, the world is an imperfect thing and only the world of the mind can express and encapsulate perfection. Extrapolating from this essential idea, Plato formulates His Republic run in rigid adherence to abstract concepts, and theoretical models for love and justice. For Plato the "Ur-" is always located in the world of the mind (hence his idea of Platonic forms, the perfect thing of which it's concrete representations are but shadows).
Next to him, Rafael paints Plato's student Aristotle in blue pointing out at the world, because Aristotle believed in empirical evidence. Aristotle's wisdom comes from observation of nature and human behavior. Aristotle writes about dramatic structure by analyzing successful dramas. He catalogues natural history by describing animals and events, recording the information he has gathered. He writes about morality with examples from day-to-day life. In fact, Aristotle lays the groundwork for Humanism and the Scientific Revolution by insisting on experimentation and observation. For Aristotle, the "Ur-" is situated practically.
...Which, if I wanted to make an argument for the Marseilles deck as an Ur-deck, is where I would start. (and herein lies my answer to Darla/Diana's original query) The Tarot is not TAROT until it is used for something other than a game, i.e. in chronologically later decks, that are actually expressive of and used for something more than amusement. As Lee points out, the Marseilles deck is the parent of the Golden Dawn decks, and thence, esoteric Tarot. Then again, Aristotle's side of the School might argue that Marseilles is the Ur-esoteric-Tarot, but the Visconti is the Ur-Tarot, and itself may (or may not!) be descended from other pageantry, narrative and ceremonial traditions.
God, this is getting long. But I've been thinking about this issue in several threads...
Diana's curiosity about Darla's question intrigued me because what she was requesting/identifying in the ATF was essentially a "School of Athens" situation. She is not asking everyone to point at the sky or at the earth, but to explain why they are pointing where they are pointing. Do you see the World in the Cards or the Cards in the World? That is why the School of Athens has Plato and Aristotle side by side in a Forum open to the Sky and Earth surrounded by their peers and intellectual progeny that fall along a spectrum of possibility... It's a School, which means exchanging ideas in an open Forum.
Here endeth my blather...
Scion
I just gotta jump in here... (I hope this isn't too pedantic. Mea maxima culpa. There's a point if you can hang with me.) Does anyone here know the "School of Athens" by Rafael? This thread should be illustrated by it!! The painting was sort of an attempt to summarize western knowledge:Diana said:I had begun some rather timid posts - mostly because Darla asked the question, and I did not want it to go unexplored and to waste. I was hoping that by starting my posts, others would respond - each response would give rise to more responses and questioning, and quests... and that we may end up with even more questions, because I am personally very interested in questions.
(Cartman of South Park fame has a most beautiful catch-phrase which makes me laugh aloud each time I hear it.)
(http://www.artchive.com/artchive/r/raphael/school_athens.jpg)
Perhaps Darla's original question is a rich line of inquiry because (IMO) it contains several embedded questions that interact in fascinating ways...
The first question has to do with the nature of an Ur-Tarot. The second has to do with the Marseilles role as an Ur-Tarot. And the third is a call for specific reasons some folks identify the Marseilles as that Ur-Tarot.
It seems to me that a lot of the "disagreement" in this thread has to do with vagueness of definition of the "UR" prefix. With something as subjective as Tarot, let alone Tarot history, let alone personal opinions about Tarot history, greater clarity of definition can only lead to more specific and useful answers. I apologize if I sound like one of my philosophy professors at college.
The idea of "Ur-" is at the root of all metaphysics: What is the first thing? What is the nature of creation? What are the building blocks of the universe? One of my professors at Columbia used to say that essentially all of Philosophy can be seen as a recapitulation and response to Plato and/or Aristotle across human history. This is where the Rafael's painting "The School of Athens" comes in...
In the painting, Plato, wrapped in red, points up to indicate that the order of all things can be discerned from contemplation of abstraction. For Plato, the world is an imperfect thing and only the world of the mind can express and encapsulate perfection. Extrapolating from this essential idea, Plato formulates His Republic run in rigid adherence to abstract concepts, and theoretical models for love and justice. For Plato the "Ur-" is always located in the world of the mind (hence his idea of Platonic forms, the perfect thing of which it's concrete representations are but shadows).
Next to him, Rafael paints Plato's student Aristotle in blue pointing out at the world, because Aristotle believed in empirical evidence. Aristotle's wisdom comes from observation of nature and human behavior. Aristotle writes about dramatic structure by analyzing successful dramas. He catalogues natural history by describing animals and events, recording the information he has gathered. He writes about morality with examples from day-to-day life. In fact, Aristotle lays the groundwork for Humanism and the Scientific Revolution by insisting on experimentation and observation. For Aristotle, the "Ur-" is situated practically.
Essentially, the disagreement in this thread (and many others IMO) is that some people side with Plato and point at the sky and others with Aristotle and point at the world. As in the painting, where all of the philosophers that follow them historically are grouped on the "side" of the proto-philosopher they're descended from intellectually. And this is not an either/or, but rather, a SPECTRUM of approach... Do you see the World in the Cards or the Cards in the World?Lee said:Perhaps we (I mean we as in Aeclectic members in general) come at the issue from such vastly different viewpoints that the discussion will automatically become heated.
If we imagine two people, one of whom believes with conviction in a religion, and the other is an atheist, we can easily imagine that the religious person will feel that the atheist simply wants to extinguish other people's conviction, and the atheist will feel that the religious person simply wants to impose their own views on everyone else.
With regard to Darla's original question, Plato might argue that the Ur-Tarot is conceptual and ALL Tarot is a dim reflection of the abstract perfection of the "Form" of Tarot... This is the position Smleite takes above: Tarot is something that we approach asymptotically, but can never fully represent in tangible form because its Ur-form, or point of origin, can only exist as an idea. Another dilemma there because "essence" is another Platonic vaguery: how can you define "essence" if essence itself is a definition of the thing (i.e. prototypical)? What is the essence of something essential? Metaphysics again, ergo circular logic. We are left as the Worm Ourobouros, eating our tails.rachelcat said:ur-: 1 : original : primitive <ur-form>
2 : original version of <urtext>
3 : prototypical : ARCH- <ur-anticommunist>
So too, Aristotle might argue for the first chronological deck because the first Tarot occured at a certain point in literal, concrete time. BUT it gets trickier because "earliest" is an adjectival form that requires a referent for comparison: earlier than what exactly? First cards? First trumps? First cartomantic deck? First cartomantic deck reflecting your tradition of choice? Aristotle might argue that the Ur-Tarot is not the first DECK in existence, but the first time the cards showed themselves to be more than pictures on paper, i.e. when divination took hold as the deck's primary use. Other people could (and will ) argue it started there and returned to it's esoteric roots after a sojourn on salon tables. (which actually is a fourth question buried in Darlas original one.) By asking for the "earliest," aren't we really asking when Tarot moved from entertainment to esotericism?Fulgour said:Ur-Tarot (from German ur-, denoting ’earliest’)
...Which, if I wanted to make an argument for the Marseilles deck as an Ur-deck, is where I would start. (and herein lies my answer to Darla/Diana's original query) The Tarot is not TAROT until it is used for something other than a game, i.e. in chronologically later decks, that are actually expressive of and used for something more than amusement. As Lee points out, the Marseilles deck is the parent of the Golden Dawn decks, and thence, esoteric Tarot. Then again, Aristotle's side of the School might argue that Marseilles is the Ur-esoteric-Tarot, but the Visconti is the Ur-Tarot, and itself may (or may not!) be descended from other pageantry, narrative and ceremonial traditions.
God, this is getting long. But I've been thinking about this issue in several threads...
Diana's curiosity about Darla's question intrigued me because what she was requesting/identifying in the ATF was essentially a "School of Athens" situation. She is not asking everyone to point at the sky or at the earth, but to explain why they are pointing where they are pointing. Do you see the World in the Cards or the Cards in the World? That is why the School of Athens has Plato and Aristotle side by side in a Forum open to the Sky and Earth surrounded by their peers and intellectual progeny that fall along a spectrum of possibility... It's a School, which means exchanging ideas in an open Forum.
Here endeth my blather...
Scion