Back on topic...
I have to say, after waiting two weeks and with my decks stuck in customs I finally paid the customs fees and managed to get my decks (I bought two; I had a funny feeling about this one) and I absolutely love this deck, absolutely
love it.
The first thing I felt when I took it out of the book was "at last! cardstock like I used to see in my very first decks". My mind was instantly cast back to when I bought decks 25 years ago. The stiff, resistent feel of the cardstock. That quality Japanese paper has done the deck proud.
I have no idea what the deck is purporting to do, whether it is an authentic
anything, I do have decks which I would consider authentic (in my mind I know which are authentic, just don't ask me to justify it!), but this one is loveable in the way very few decks are. Historical or otherwise.
It has a kind of hyper-realism about the faces and lovely pink, fleshy little hands. In certain light, the faces are eerily real but not digitally so, the eyes peer with such mischevious expressiveness. I am very happy with my facsimilie Conver reproductions but this is a Conver for reading with. Eye rhythm spreads with this would be a joy as it is such a sharp deck, the eyes really do peer and squint (one of the horses on the Chariot is winking!) I have never been a fan of the Fournier Marseilles though I can understand why some people might like it, in a cheap and cheerful way (but this deck knocks the Fournier into a cocked hat). After customs charges this most certainly was
not cheap, but it feels, if not cheerful, sharp and witty and playful and stunningly well done. We see that so rarely nowadays in deck production.
I don't seek authenticity here but it is a deck I want to cradle lovingly!