Umbrae
So we now have pages about folks talking about how to talk to folks on the forum.
But what about honesty in reviews?
“I don’t like sixth grader art” does not constitute a review.
“I don’t like Computer Graphics art” does not constitute a review.
“I love spooky stuff” does not constitute a review.
What does constitute a good review?
If a work suffers from lack of compositional errors, or ignorance of subjects , and unintentional perspective errors, can these be introduced into a review?
Or is it that the art simply is not academic enough to be termed ‘good art’ by the community at large, as Picasso or Dali were perhaps viewed in their early years? (Do I really need to prove that my canvas is flat? Or must I prove that my canvas portrays depth correctly?)
Or is it that we cannot review any art that perhaps could be viewed as misanthropic or pessimistic?
What if the art is simply sophomoric?
Or is all Tarot art simply derivative, and therefore must be treated as unworthy of honest review? (Some have even dared to state that Michelangelo was derivative of Donatello (who sculpted a David decades before Michelangelo). Leonardo and Raphael BOTH were derivative of Giotto and Weyden…(or some would claim)).
What constituted ‘bad art’ in the fifties became ‘high art’ in the sixties with assimilated taste that created demand. What was once rejected became in demand, and then became an influence.
“[Abstract art is] a product of the untalented, sold by the unprincipled to the utterly bewildered.” -Al Capp
I happen to like abstract art…
"When I am finishing a picture, I hold some God-made object up to it – a rock, a flower, the branch of a tree or my hand – as a final test. If the painting stands up beside a thing man cannot make, the painting is authentic. If there’s a clash between the two, it’s bad art." -Marc Chagall
Now that IS profound!
"When one buys some of my artwork I hope it is because they will wish to learn from it and not because they think it will match their drapes!" -Christian Cardell Corbet, 1997
"Art is a step from what is obvious and well-known toward what is arcane and concealed." -Kahlil Gibran, "A Handful of Sand on the Shore"
Not every book, or every deck – is worth either the devastation of forest land or the recycled fiber required for publication.
What can be done to improve the honesty in the review process in our industry?
Myself? I'd really like to see a serious discussion. We already know how to address each other on the forum.
But what about honesty in reviews?
“I don’t like sixth grader art” does not constitute a review.
“I don’t like Computer Graphics art” does not constitute a review.
“I love spooky stuff” does not constitute a review.
What does constitute a good review?
If a work suffers from lack of compositional errors, or ignorance of subjects , and unintentional perspective errors, can these be introduced into a review?
Or is it that the art simply is not academic enough to be termed ‘good art’ by the community at large, as Picasso or Dali were perhaps viewed in their early years? (Do I really need to prove that my canvas is flat? Or must I prove that my canvas portrays depth correctly?)
Or is it that we cannot review any art that perhaps could be viewed as misanthropic or pessimistic?
What if the art is simply sophomoric?
Or is all Tarot art simply derivative, and therefore must be treated as unworthy of honest review? (Some have even dared to state that Michelangelo was derivative of Donatello (who sculpted a David decades before Michelangelo). Leonardo and Raphael BOTH were derivative of Giotto and Weyden…(or some would claim)).
What constituted ‘bad art’ in the fifties became ‘high art’ in the sixties with assimilated taste that created demand. What was once rejected became in demand, and then became an influence.
“[Abstract art is] a product of the untalented, sold by the unprincipled to the utterly bewildered.” -Al Capp
I happen to like abstract art…
"When I am finishing a picture, I hold some God-made object up to it – a rock, a flower, the branch of a tree or my hand – as a final test. If the painting stands up beside a thing man cannot make, the painting is authentic. If there’s a clash between the two, it’s bad art." -Marc Chagall
Now that IS profound!
"When one buys some of my artwork I hope it is because they will wish to learn from it and not because they think it will match their drapes!" -Christian Cardell Corbet, 1997
"Art is a step from what is obvious and well-known toward what is arcane and concealed." -Kahlil Gibran, "A Handful of Sand on the Shore"
Not every book, or every deck – is worth either the devastation of forest land or the recycled fiber required for publication.
What can be done to improve the honesty in the review process in our industry?
Myself? I'd really like to see a serious discussion. We already know how to address each other on the forum.