Hi Diana, that was a great post!
I disagree with your suggestion that the "reckless inner kid going through a journey of transformation" (to quote Pollux) is a recent innovation introduced by Waite. I believe that the Marseilles Fool embodies this concept even more than the Waite-Smith Fool does. I think the designers meant to illustrate a progression, from the lowest (Fool) to the highest (World). This sort of thinking can be seen in the Mantegna deck, which starts out with a beggar as the lowest and shows an even clearer progression from low to high. I think that any such progression implies a journey upward, through the stages embodied in the succeeding cards. So that covers the "journey of transformation" part.
As for the "reckless kid," I think a beggar/jester is far more illustrative of recklessness than the overdressed fop on the Waite card, even if he is walking over a cliff. The Waite Fool isn't really risking much, in my opinion, because obviously he's trusting in a higher power (at least that's what I see when I look at the card). How much more reckless to give up one's possessions and strike out on the open road! And, I know I've brought this up before, but I *do* think it's significant that the Marseilles Fool is the only trump character shown walking. Furthermore, if you lay out the cards from left to right, he's walking towards the other figures, as if beginning his journey through the succeeding cards.
The Magician is paired with the Popess because the separation into yin and yang is the first manifestation of reality (at least according to the Tao Te Ching), and thus is appropriate for the first stop on the Fool's journey. Now, I'll admit that this idea is certainly reinforced by Waite's bright Magician and dark High Priestess, but I think the same message can be found in the Marseilles Bateleur, who is very active, and the Popess, who is very passive.
When you say the cards were designed to convey a message, I think it's certainly possible, but the problem is in deciphering just what that message is. Everybody looks at the cards from the viewpoint of their own cultural milieu. Even if we try to discern what the message was of the cards' creator(s), we're *still* looking at their motives and intentions from a modern viewpoint; we can't help it. We'll never be able to look at the cards completely from the point of view of the people of that time, no matter how much we know about history.
When you say "in the end there is only one truth," this really reminds me of those members of evangelical faiths who believe their beliefs are "true" and all others "false." I'll agree that the creator of the cards had *something* in mind, but I disagree a) that this "something" can be discerned by us in this time, and b) that Tarot is only valuable if we look at it from the point of view of the creator (assuming we could know what that is). I believe firmly (and this is one of the few things I do believe firmly) that the Tarot is something different for each of us. There are broad interpretive factors which many can hold in common, but in the end no one person's Tarot will be the same as another's. I think this is one of the great things about the Tarot, that it can help us find ourselves, and in the process adapt itself to one's personality so that it becomes a better tool to do so.
I like very much jmd's statement about the Fool being God. Specifically, it reminds me of something I read in an Alan Watts book, in which he gave a myth which went something like this:
God is Everything and is Omnipotent. However, in the vast stretches of eternity, it becomes boring to have all power and to know everything. Therefore, in order to bring some adventure into His life, He manifests himself as beings (you and me and every other living creature) with no memory of His actual identity. Thus He lives, as you, as me, has adventures, has joys and sorrows, but with no knowledge of His Godhood (otherwise, there would be no adventure or suspense). When you or I die, we remember our true identities and awaken as God.
It seems to me that the Marseilles Fool is a perfect pictorial representation of this idea, God who goes to sleep and wakes up as the lowest of humanity, a tramp or beggar, whose purpose it is to start on his journey and see what he will see.
At least that's how I see things. I'm always anxious to learn more about how you see things Diana, because it's great food for thought! Thank you for coming back to this thread.
-- Lee