Ingold's riddle

Huck

Meister Ingold wrote 1432 the Guldin Spil, a longer text mainly about chess, but also about other games, between them card playing. Although it is a longer, it doesn't contain too much about the game. Very crucial (and "enlightened", although it's ambiguous) is the following passage:

"Nun sind auf dem kartenspil fier küng mit iren wauppen, und hat ieglicher under im XIII karten, das macht an ainer sum LII, und hat ieglichü das zaychen irs küngs. Etlich kartenspil hat dar zu fier küngin und fier junkfrawen, etlich haben den ackerman, den edelman, den wuchrer, den pfaffen, die toypel, den riffian, den wirt; und gewint ie ains dem andern ab: dem edelman der wuchrer, dem wuchrer der pfaff, dem pfaffen das täppelweib, dem täppelweib der riffian, dem riffian der wirt, dem wirt der weinman, dem weinman wider umb der pauman der den wein pauwen sol, der nimpt das gelt wider von dem wirt."

Michael Hurst thinks it needs a direct translation, we concluded to leave it better in its original form to keep the ambiguous form alive.

Our ideas to it are given at:

http://trionfi.com/0/mi/00/

, Michael Hurst gave his translation in private communication with excusing words :

"That was my point. As best I can tell, based on the fragments which you
did translate, Ingold was saying something like this:

(Ingold's text): 'Now there are card-games of four Kings with their emblems, which have
various [court cards] under them on 13 cards, which [with the 40 pip
cards] makes a total of 52, and they have the suit-signs of their
Kings.
Several card-games have four Queens and four Maidens [as the lower
court
cards], several [card-games] have the Farmer, the Nobleman, the Usurer,
the Priest, the Hooker, the Pimp, the Barkeep, and [each] one wins over
the other: the Nobleman [loses money to] the Usurer, the Usurer [pays]
the Priest, the Priest [pays] the Prostitute, the Prostitute [pays] the
Pimp, the Pimp [pays] the Barkeep, the Barkeep [pays] the Wine-seller,
the Wine-seller [pays] the Farmer who grows the wine, who gets the
money passed on from the Barkeep.'

I'm sure that's not a very good translation, and I'm sure that you
could do a much better job much more quickly. "

Well, there are ambiguous parts and this makes it difficult, anyway Michael has the honour to give the sense "somehow" usuable for an English reader ... although the text loses its complications and ambiguous form with it.

One point seems to be indicated (although it is not directly said and although it's an attackable statement): The 8 mentioned special figures seem to have trump-function and they seem to fill the places at the common Ober and Unter position, and that all in a 4x13 deck with 3 court and 10 number cards.

This information (although still insecure) meets with the follwing conditions.

1. In 1377 Johannes of Rheinfelden (and with him the Mamluks deck) knows decks with 4x13 structure, in which Ober and Unter are seen as marshalls, that is persons in "militarical function". In his 60 cards deck description Johannes relates the number cards to normal professions of not militarical character. One might conclude, that "militarical function" might have been identified as the ability to trump in the game by early players.

2. In 1423 in Ferrara "VIII Imperatori cards"" are imported from Florence. The number VIII puzzled playing card researchers - when the Ingold deck recognizes them as trump, the riddle would be solved.

3. The Karnöffel game, later called also "Keyser-Spiel", which means "game of the Imperatori" was mentioned first time in 1426 in Nördlingen, Germany. Later rules speak of 7 trumps, which are the Karnöffel, Pope, Devil and 4 Farbenstecher. Keyser Spiel is nearly "Imperatori" and 7 is nearly 8 ... it is a general suspicion, that there was a relation between the Italian Imperatori game and the German Karnöffel. Also the suspicion exists, that Ingold's description refers to an early form of Karnöffel.

4. Ingold's deck structure is very near to that of the Michelino deck, which is called by us the oldest Tarot deck ( http://trionfi.com/0/b ), likely produced 1424/25, contemporary to the Ferrara note and the Ingold text and the first note to Karnöffel.
In Martiano's description Franco Pratesi, who redetected and examined the source, was puzzled, that Martiano mentioned 4 kings, Birds as 4 suits and 16 trumps, no other court cards are mentioned. Now Ingold seems to offer in his deck 4 Kings + 4 number suits + 8 trumps (which are recognizable representatives of the court cards).
The only difference between the Michelino deck and the deck described by Ingold would be the number of the trumps. But already Johannes of Rheinfelden knew 1377 decks with 4x13 strcture (which means: two court cards beside the king in each suit eventually equal to "8 trumps") and a deck with 60 cards (which means 4 court cards beside the king in each suit and eventually equal to "16 trumps").

So in a very certain and simple way the 52 card deck of Johannes is the mother of the Ingold deck and Johannes 60 cards deck is the mother of the Michelino deck ... no real great changes in all these 50 years between 1377 and ca. 1425 - 1432; a change in the motifs, true, but not really "new games".

A slow motion activity, which - as it seems - runs from the trumping idea as basis to the later Trionfi forms with 5x14-deck, possibly also 5x16 deck and finally to 4x14 + 22 - structure.

The origin of Tarot. The difference between "normal Card deck" and Tarot is no big jump.
 

Ross G Caldwell

Huck said:
"Nun sind auf dem kartenspil fier küng mit iren wauppen, und hat ieglicher under im XIII karten, das macht an ainer sum LII, und hat ieglichü das zaychen irs küngs. Etlich kartenspil hat dar zu fier küngin und fier junkfrawen, etlich haben den ackerman, den edelman, den wuchrer, den pfaffen, die toypel, den riffian, den wirt; und gewint ie ains dem andern ab: dem edelman der wuchrer, dem wuchrer der pfaff, dem pfaffen das täppelweib, dem täppelweib der riffian, dem riffian der wirt, dem wirt der weinman, dem weinman wider umb der pauman der den wein pauwen sol, der nimpt das gelt wider von dem wirt."

Michael Hurst thinks it needs a direct translation, we concluded to leave it better in its original form to keep the ambiguous form alive.

I think both are really necessary. It is not necessary to have one or the other - always provide both! After the original text, provide a translation, and then discuss the difficulties of that translation.

And then discuss all the theoretical possibilities raised by the text.

Our ideas to it are given at:

http://trionfi.com/0/mi/00/

, Michael Hurst gave his translation in private communication with excusing words :

"That was my point. As best I can tell, based on the fragments which you
did translate, Ingold was saying something like this:

(Ingold's text): 'Now there are card-games of four Kings with their emblems, which have
various [court cards] under them on 8 cards, which [with the 40 pip
cards] makes a total of 52, and they have the suit-signs of their
Kings.
Several card-games have four Queens and four Maidens [as the lower
court
cards], several [card-games] have the Farmer, the Nobleman, the Usurer,
the Priest, the Hooker, the Pimp, the Barkeep, and [each] one wins over
the other: the Nobleman [loses money to] the Usurer, the Usurer [pays]
the Priest, the Priest [pays] the Prostitute, the Prostitute [pays] the
Pimp, the Pimp [pays] the Barkeep, the Barkeep [pays] the Wine-seller,
the Wine-seller [pays] the Farmer who grows the wine, who gets the
money passed on from the Barkeep.'

I'm sure that's not a very good translation, and I'm sure that you
could do a much better job much more quickly. "

Well, there are ambiguous parts and this makes it difficult, anyway Michael has the honour to give the sense "somehow" usuable for an English reader ... although the text loses its complications and ambiguous form with it.

So with all translations. There must always be the original, then the translation, then the discussion of the problems of the text.


One point seems to be indicated (although it is not directly said and although it's an attackable statement): The 8 mentioned special figures seem to have trump-function and they seem to fill the places at the common Ober and Unter position, and that all in a 4x13 deck with 3 court and 10 number cards.

I agree that the eight special cards seem related to Karnöffel's own trumps, in a way. It is not sure that Ingold is not just "moralizing", but I would accept that he is describing a trump game.

So in a very certain and simple way the 52 card deck of Johannes is the mother of the Ingold deck and Johannes 60 cards deck is the mother of the Michelino deck ... no real great changes in all these 50 years between 1377 and ca. 1425 - 1432; a change in the motifs, true, but not really "new games".

A slow motion activity, which - as it seems - runs from the trumping idea as basis to the later Trionfi forms with 5x14-deck, possibly also 5x16 deck and finally to 4x14 + 22 - structure.

The origin of Tarot. The difference between "normal Card deck" and Tarot is no big jump.

I agree it is not a big jump. Except that for all these other games, except for Marziano's, the trumps are *in* the normal deck, while tarot and Marziano's deck make an extra suit outside the normal deck.

It is interesting to me, that Alciato described the Bagatella as "Caupo" - an Innkeeper or Barkeep! This produces a plausible comparison with the first five figures of the Tarot -

Wirt - Caupo - Barkeep - Bagatella
Toypel - Flamina - Priestess/Whore - Papessa
Wauffen - Imperator - Emperor
Pfaff - Sacerdote - Priest - Pope

Perhaps the "weinman" should be equated to the Caupo-Barkeep, and the Wirt to the Empress (noble ladies were frequently portrayed as debauched); then the rest in the same order as above.
 

Huck

Ross G Caldwell said:
I agree it is not a big jump. Except that for all these other games, except for Marziano's, the trumps are *in* the normal deck, while tarot and Marziano's deck make an extra suit outside the normal deck.
Well, we interprete them as "inside the deck", but when they commonly were used as the "trumps" since the times of Johannes of Rheinfelden ... then they were never really part of the deck and always in the class of the trumps (at least for trick-taking-games).

It is interesting to me, that Alciato described the Bagatella as "Caupo" - an Innkeeper or Barkeep! This produces a plausible comparison with the first five figures of the Tarot -

Wirt - Caupo - Barkeep - Bagatella
Toypel - Flamina - Priestess/Whore - Papessa
Wauffen - Imperator - Emperor
Pfaff - Sacerdote - Priest - Pope

This is interesting. Actually we've ca. 1470 in De Sphaera at the picture of the children of Mercury a man in the background center with a table, which looks like the common magician ... but he has guest at his tasble and they seem to eat. A knife to cut some meal, a cup to drink something, a baton (I don't know what it was good for) and some money paid for the meal ...

Actually I would think, that Karnöffel or Impertori decks (or it's 7-8 trump figures) were not always the same, they would have beeen creatively variated. So similarities might be accidently, although sinlge types (for instance the archetypical "Wirt") might be identical.

We've another group of 8 professions in Ingold's chess allegory to the 8 pawns. The professions are different.
 

DoctorArcanus

Huck/Ross said:

It is interesting to me, that Alciato described the Bagatella as "Caupo" - an Innkeeper or Barkeep! This produces a plausible comparison with the first five figures of the Tarot -

Wirt - Caupo - Barkeep - Bagatella
Toypel - Flamina - Priestess/Whore - Papessa
Wauffen - Imperator - Emperor
Pfaff - Sacerdote - Priest - Pope​

This is interesting. Actually we've ca. 1470 in De Sphaera at the picture of the children of Mercury a man in the background center with a table, which looks like the common magician ... but he has guest at his tasble and they seem to eat. A knife to cut some meal, a cup to drink something, a baton (I don't know what it was good for) and some money paid for the meal ...

Very interesting text (but I did not try to understand the original) and very interesting interpretation!

A while ago we discussed the strange white object on the desk of the Visconti-Sforza bagat. A possible interpretation was that it is a cake. Also the Cary-Yale sheet Magician looks to me like a seller of food or wine. In general, I think this card represents a child of Mercury and possibly a "Caupo".

Also, the Whore of Babylon of the Revelation is sometime represented wearing a tiara, so we have one more connection Whore/Papesse. Of course, the Visconti-Sforza does not represent the Whore of Babylon: that really looks like a positive card which must have a positive meaning.

Marco
 

kwaw

DoctorArcanus said:
Also, the Whore of Babylon of the Revelation is sometime represented wearing a tiara, so we have one more connection Whore/Papesse. Of course, the Visconti-Sforza does not represent the Whore of Babylon: that really looks like a positive card which must have a positive meaning.

Marco

She looks more like a Nun. Not neccesarily positive, common medieval legend recorded from 10th century on had it the anti-christ would be born of a Nun. And reformist polemics made much of Nuns as prostitutes, and also as symbols of the church [both as 'brides of christ'] the legend of the anti-christ born of a nun made allusion to the Pope as anti-christ born as it were of the church.

Kwaw
 

kwaw

kwaw said:
She looks more like a Nun. Not neccesarily positive, common medieval legend recorded from 10th century on had it the anti-christ would be born of a Nun. And reformist polemics made much of Nuns as prostitutes, and also as symbols of the church [both as 'brides of christ'] the legend of the anti-christ born of a nun made allusion to the Pope as anti-christ born as it were of the church.

Kwaw

The Catelin Geofroy 1557 is of interest for the history of the TdM. It is the firt deck with numbered major arcana and those that remain follow the TdM ordering. The hanged man differs from the Italian traitor image and is demonstrably modeled upon woodcuts of Jewish executions.

What is very peculiar about it is that on the back of the Popes hand are two concentric rings, like the 'Jewish ring' that Jews had to wear as a mark of identity and used in Christian art to identify any figure as a Jew. [Are they Jewish rings on his hands, or is anyone aware of an alternative meaning?]

The anti-christ was also called 'the Jewish Messiah' [along the logic that Christ being the Messiah, who is this Messiah the Jews are still waiting for, if not the anti-christ]. The jews and the devil of course were often identified together [indeed the devil himself is often portrayed with the jewish badge of two concentric rings].

Perhaps in the Geofroy image of a pope with the mark of the jew on his hand there is here a conflation of these concepts of reformist polemics in which jewish messiah = anti-christ = pope?

[The Geofroy major arcana can be found in Kaplan, p.132 Vol 1, and p.303 Vol2.]

Kwaw
 

DoctorArcanus

kwaw said:
She looks more like a Nun. Not neccesarily positive, common medieval legend recorded from 10th century on had it the anti-christ would be born of a Nun. And reformist polemics made much of Nuns as prostitutes, and also as symbols of the church [both as 'brides of christ'] the legend of the anti-christ born of a nun made allusion to the Pope as anti-christ born as it were of the church.

As I read in a post by Ross, the Visconti-Sforza Papesse looks a lot like the allegory of Faith in the Scrovegni Chapel in Padoa. When that fresco was painted, the tiara was not known yet, and the headgear of the pope was a simple "cone".

Moreover, I think the cross and book are not fitting attributes for the representation of a prostitute. Maybe jewels would be more appropriate: I think a nun prostitute would have been seen as a monstruosity, and she would have been represented as such, with incompatible attributes (like the Whore of Babylon, with jewels, Tiara and riding a monster).

Marco
 

kwaw

DoctorArcanus said:
Of course, the Visconti-Sforza does not represent the Whore of Babylon: that really looks like a positive card which must have a positive meaning.

Marco

Yes, the visconti/sforza Nun does present a positive image, that does not mean it was necessarily read as a positive image by all who saw it, and meaning is a two way street. It was made for the members of the noble court, what did it represent to the young noble woman of that court? For many of them it represented their future, in fifteenth century Italy their were basically two estates of noble woman, as a bride of man or a bride of Christ. Dowries being very expensive, a family would not divide their resources for the marriage of all daughters, but put as much together as possible to secure the best marriage possible for one or two daughters, the rest were destined to become brides of Christ, whether such was their vocation or not. The prospect of a future life as a Nun, for those that felt no vocation for it, surely did not present itself, at least for some of them, as a positive prospect; and for such, looking at this card and seeing in it their own future of an enforced life of celibacy in the name of family honour, surely aroused in them a presentiment of sorrow, of loss, if not downright horror?

Kwaw
 

firecatpickles

The nunneries of the medieval age were the universities and centers of highter education and culture for these "unfortunate" noble women. We would not have the art of greats such as Hildegard von Bingen if it weren't for this system. Arguably these women influenced art in ways we shall never truly know.

I believe it is important not to project our modern precepts on a system that was highly varied and served a higher purpose other than keeping virgins virgins. Prooftexting never works.

K:spade:K