sweet_intuition
(From observing the RWS card imagery)
The Hierophant is that form of spirituality and religioun who denies, minimizes, obviates, and retreats from sexuality. The sceptre phallic symbol in his left hand, designating the Heirophant's negative attitude towards the penis and it's sexual function. Sex, then, is to the left, and "not right". The phallic symbol, rather than bearing a bulbous head, bears three crossbars, te third and highest being the shortest than the previous two. Mystically, the three crossbars imply that beyond the labia majora of the female genitals (sex for sex's sake), and beyond the psychic and emotional relationships (sex for love's sake), there is a third goal to be desired; a goal absent of sensuality, opposed to fleshly appetites, devoid of orgasmic pleasure; a goal which promises a sexual ecstacy, sterile bliss, and elevated union. The succession of the three crossbars further implies that the third level is reached by those who have experienced the first two. The three crosses upon the Hierophant's vestment signify purity - a cross over the heart, a cross over the solar plexis (The seat of emotions), and a cross over the phallus and genitals, sanctifying each.
The pillars aren't those of the High Priestess, symbolic of highly desirable phalli. The columns of the Hierophant, though in the emblematic state of ejaculation, and grey and black in color, dark in form, and despite the obvious symbolism of their ferocity and virility, they are relegated to the rear and to the sides, suggesting they exist only on the periphery of true reality. While the Hierophant's right hand is raised in blessing, it is a blessing bestowed upon those away from sexuality. His hand points back at the phalli in a gesture condemnatory of sexuality and sensuality and bodily pleasure. The phallic symbols then receive the back of his blessing, the reverse of his blessing, i.e. a curse.
The two keys at the bottom unlock the gates of heaven and hell, and because the Hierophant has them, he ostensibly possesses the power to use them. The two devotees, both male, represent the subjugation of "male-ness" or masculinity in the Hierophant-nature. That there are two repeats the symbolism of the first two crossbars of the Hierophant's sceptre. These two (sex for sex's sake and sex for love's sake) desire to humble themselves before God in order to gain inner peace. They fail to recognize, however, that they are humbling themselves before doctrine, religion, tradition, and the head of it all, The Hierophant, who in the final analysis, is a man like unto themselves.
Hope this helps
Will return to give more inputs
Love and Blessings

The Hierophant is that form of spirituality and religioun who denies, minimizes, obviates, and retreats from sexuality. The sceptre phallic symbol in his left hand, designating the Heirophant's negative attitude towards the penis and it's sexual function. Sex, then, is to the left, and "not right". The phallic symbol, rather than bearing a bulbous head, bears three crossbars, te third and highest being the shortest than the previous two. Mystically, the three crossbars imply that beyond the labia majora of the female genitals (sex for sex's sake), and beyond the psychic and emotional relationships (sex for love's sake), there is a third goal to be desired; a goal absent of sensuality, opposed to fleshly appetites, devoid of orgasmic pleasure; a goal which promises a sexual ecstacy, sterile bliss, and elevated union. The succession of the three crossbars further implies that the third level is reached by those who have experienced the first two. The three crosses upon the Hierophant's vestment signify purity - a cross over the heart, a cross over the solar plexis (The seat of emotions), and a cross over the phallus and genitals, sanctifying each.
The pillars aren't those of the High Priestess, symbolic of highly desirable phalli. The columns of the Hierophant, though in the emblematic state of ejaculation, and grey and black in color, dark in form, and despite the obvious symbolism of their ferocity and virility, they are relegated to the rear and to the sides, suggesting they exist only on the periphery of true reality. While the Hierophant's right hand is raised in blessing, it is a blessing bestowed upon those away from sexuality. His hand points back at the phalli in a gesture condemnatory of sexuality and sensuality and bodily pleasure. The phallic symbols then receive the back of his blessing, the reverse of his blessing, i.e. a curse.
The two keys at the bottom unlock the gates of heaven and hell, and because the Hierophant has them, he ostensibly possesses the power to use them. The two devotees, both male, represent the subjugation of "male-ness" or masculinity in the Hierophant-nature. That there are two repeats the symbolism of the first two crossbars of the Hierophant's sceptre. These two (sex for sex's sake and sex for love's sake) desire to humble themselves before God in order to gain inner peace. They fail to recognize, however, that they are humbling themselves before doctrine, religion, tradition, and the head of it all, The Hierophant, who in the final analysis, is a man like unto themselves.
Hope this helps
Will return to give more inputs
Love and Blessings