nisaba
That's a strange thing to apologise for! reviving old threads adn re-animating old pleasures is a delight to most of us.Sorry to revive an old thread,
<cackle> I'll add that Useful Suggestion to my collection of arcane Tarot lore.but I just got my Scapini deck and wanted to share some insight. First of all, dont play with your tarot cards while eating.
Though, a well-aged, well-loved deck appeals to many more than a mint condition deck - and how do they get that way? Yes -
Does it have "real" reflective gold-foil on it, or are the gold bits merely orange-brown printer's ink with the odd grace of yellow highlights, and the silver merely grey ink? That's the one I have. I love it, but I suspect I'd be faithless to it in an instant if I had the gilded-image one.I had just looked at my deck, but had to get it out again to check what version it was and if the pictures were blurry.
<curiously> Is it written by Scapini himself, or by someone else? Reason I ask, is that I've had my fingers burnt before: on occasions when I;ve really loved hte work of a creative person whom I know from one field, and I've sought out their work in another field, I've often been disappointed, somtimes painfully. I could mention a certain well-known visual artist who wrote a much-touted novel in later life that was a crashing disappointment. The two novels of Leonard Cohen's that I was recently lent were by contrast excellent - but sadly, they just served to underline how very few people *can* swap media like that.A tip to all those who love this deck but have trouble reading with it: get the book Art and Arcana.
I don't know anything about the time-line of Scapini's working life (as far as I'm concerned it started with the Stained Glass, which was my first and why I fell in love), but we know he worked on the Cary-Yale Visconti recreating the missing cards, and many of the Mediaeval's cards have heavy Visconti overtones. I could point to <rummages around in collection> the posture and dress of the Magician and his collection of stuff which is so different to the modern-day stuff we usually see on his bench, the Lovers, Fool and Hanged Man all of which which are even closer direct quotes, And Temperance, who is even wearing the same Visconti dress and falling-down stockings!It explains a LOT, probably more than you want to know, but it will show that Scapini knew more about Tarot when he made this deck than most people realize!
Ah. I *would* edit out my earlier paragraph, except that I made points about my own thinking on the subject.Decker, the author,