Le Fanu said:
Why do we still blindly accept what Victorian gentlemen said?
Absolutely agreed with all that, LF. But they came up with those meanings from wherever they did (all
that stuff) and tarot artists today continue to create their decks based on what they came up with. (How many tarot artists have no idea why their own images have the meanings they do, do you think?) In so very many ways, the Greenwood isn't the least bit original in terms of the actual meaning of the cards. There's lots to study and lots to see, but in an actual reading, the Greenwood isn't much less Victorian than the RWS, is it? Just look at the 3 of swords.
I think it's a bit odd, as you said, that tarot hasn't really gone anywhere in all this time. It seems to continuously require rediscovery, first by the occultists, then again (in a way) in the 70s, which could be hampering its ability to advance much.
But don't you think that as long as tarot images (which, as I said, are rarely
that difficult to figure out) continue to lead a reader to the same meanings ascribed by those Victorians, then we have little choice but to continue reading (if we choose to use modern decks) as they had intended us to. Otherwise we're just ignoring what's there. No?
Like anything else it would come down to sales, wouldn't it? When Poppy Palin tried to make an interesting oracle of Waking the Wild Spirit, she was told to turn it into a somewhat recognizable tarot instead so it would sell better (that's the story, right?). If you tell someone that the 3 of Swords means happiness and sunshine, they're most likely going to tell you that you're wrong, so if you design a deck with a new system, no matter how ingenious it might be, good luck selling it.
"When is it not tarot," this thread asks. Perhaps the answer is, When it has no chance of being published for assumed financial implausibility?
(As with your disclaimer, I hope I don't come off as too know-it-all-y. These are all questions I'm asking myself as well as the group...)