truelighth
Hello Truelight.
I think you came upon your copy at a time before very many people understood what they were looking at.
*rest of post snipped due to length*
Thanks for sharing your thoughts with us, OnePotato! I enjoyed reading it and I think you probably are very close to the truth. It just makes sense this way. And yes, I do think I got my copy, and copies of my other old Pam's in a time that people didn't see the significance yet. Apart from a few that were already busy with it, like Holly and Frank and some others. And that was my luck!
About what you wrote, I also had trouble believing the whole stone crack theory from Pietro Alligo. Sure, it could account for the squiggly line, but then there are more sources. I was reading Frank's book on the subject again and he mentions a publication of the sun card in an article in 1909, featuring the Sun card in black and white. And interesting enough, this Sun card has the little squiggly line. And the number XVIII instead of XIX. Obviously a mistake they later corrected. But that means the line was supposed to be there in the design from the beginning.
Further, I appreciate your insights on the lithography process. Because that indeed also says to me that the crack theory is not the way to go. One of the problems I had with that particular theory, was that the line art on the Pam B/C is so much more inferior to the Pam-A. Why first use inferior line art and then later use a much better copier, but inferior cardstock. That doesn't make sense.
I also think you are probably right about the separation of the cards on this particular copy. It could very well be that if my copy had been stored in an attic or a damp place, the same would have happened. At it stands, it looks very much like my copy was indeed used. The box is not as pristine as the one that was sold now, for one, and then there are the notes and even notes in the book. I don't think it was used much though.
I think you are probably right about the storyline you put together too. With the printing. And also about Margaret etc. I think Margaret bought it and then it probably also had the letter. For some reason, she never exchanged it. And then decided to give it away. But well, if you give a present like that, of course you would take a letter like that from the company out, I would think. So that would account for the fact that mine doesn't have that letter. It may have originally came with it.
Also, as you said, what you describe would account for the fact that there are so few copies of the Roses&Lilies around. I am pretty sure that the later print run of that early march was the deck we now know as the Pam-A crackled back. The cardstock is so much more superiour and the surface much smoother and nicer. Although I personally still like my Roses&Lilies more.
Anyway, I think it is great this deck appeared. It really does give us a much more clearer picture. And thank you again for your thoughts.
As far as seeing the decks, unfortunally I live in the Netherlands. But otherwise you would be welcome to it. Frank Jensen also came one time to measure and look at the Roses&Lilies. So if you are ever in the neighbourhood ...