morganesky
Oh I hope mine doesn't warp just checking and it copyright 1982, booklet printed in the US but cards are printed in Belgium. I love this deck, so if it warps, I will have to hunt and gather another
Really? I imagine this would have been very appealing to the tortured sensibilities of a teenager reared on Wuthering Heights and Dark Shadows episodes. There are certain eras or time periods where a more gothic sensibility is more acceptable/in vogue among the teen set. These things go in waves (in America, for instance, the spiritualism craze of the late Victorians/Edwardians versus the bland faux- wholesomeness of the 1950s).
Perhaps 1980 was early enough before the slick teenybop synth avalanche that teens in that year would have found this deck creepy-cool rather than creepy full stop. You were a young teen then, right? Don't you think the deck would have been more appealing to your peers in 1980 than it would be to teens even ten years later? (And then the cycle would begin again, because the mid-90s were a high time for teen goths and those discovering neo-Paganism).
I also don't think this deck is as creepy as many make out; it's just the eye sockets that make people forget about the large, winking television advertiser's sparkles of light attached to most figures and objects.
I love Swiss printings if you mean AG Muller (and I recall that my Sacred Rose, purchased in the 90s, was very AG Muller-ish in presentation and card stock)-- they have long been my favorite publisher because of their card stock.
But, if it were a deck I felt the need to have two printings of, I, like you, enjoy the matte US Games offerings, in the main. Sun and Moon is horrid to me, though, like the cardboard of a boxed food item. But Dreaming Way is good; the version of the Haindl I have is good.
Big difference there!
Some people say that giftees can't be choosers. We most certainly can...
I don't mind the cardstock on the Printed in China decks. I quite like it in certain moods and dislike its lack of flexibility and cardboardiness in others.
These decks will never break in, but by the same token the more flexible decks - such as the Belgian printings - do have a tendency to warp. Printed in China decks will never warp. One of my Belgian Morgan Greer decks warped diagonally, the others didn't. All very mysterious.
I have a Swiss printing and I'm very happy with that. For the moment I don't feel an urge for a back up. I'm sure it'll last...
Oh I hope mine doesn't warp just checking and it copyright 1982, booklet printed in the US but cards are printed in Belgium. I love this deck, so if it warps, I will have to hunt and gather another
don't worry. If it wasn't warped when you got it, you should be fine. Just be careful not to get it wet or expose it to extreme temps.
I love the scribbly, scratchy, gnarled artwork and gloomy, primeval vibe. Every scene seems to take place in a sinister forest. Such a strange deck. So out of step with nowadays where decks have to be immediately accessible to teenage girls. There would be no room for these mysterious, possessed beings whose eyes roll into the back of their head and whose hair spreads like tree roots, coming to get you.
These words sent me scurrying off to look at card images. Now I have seen the Sacred Rose with new eyes. How could I have missed the great qualities of this deck the first time around? Now I realize that it is just my cup of tea. Adroitly enabled, once again!
Really? I imagine this would have been very appealing to the tortured sensibilities of a teenager reared on Wuthering Heights and Dark Shadows episodes. There are certain eras or time periods where a more gothic sensibility is more acceptable/in vogue among the teen set. These things go in waves (in America, for instance, the spiritualism craze of the late Victorians/Edwardians versus the bland faux- wholesomeness of the 1950s).
Perhaps 1980 was early enough before the slick teenybop synth avalanche that teens in that year would have found this deck creepy-cool rather than creepy full stop. You were a young teen then, right? Don't you think the deck would have been more appealing to your peers in 1980 than it would be to teens even ten years later? (And then the cycle would begin again, because the mid-90s were a high time for teen goths and those discovering neo-Paganism).
Mine don't get wet or get exposed to extreme temperatures. Some of them warp after I receive them. It's quite irrational...don't worry. If it wasn't warped when you got it, you should be fine. Just be careful not to get it wet or expose it to extreme temps.
Mine don't get wet or get exposed to extreme temperatures. Some of them warp after I receive them. It's quite irrational...
I was very much a teenaged girl in love in Wuthering Heights, Dark Shadows (1991 remake), and pretty much any other melodramatic, tortured love story. So as you suggest, Chiriku, the drama and atmosphere of this deck spoke to me when I found it a few years later. Like Bhavana, I found it beautiful because of the stained-glass jewel tones. But I think I know what Le Fanu meant about it not appealing to teenaged girls. I'd bet money that most of the girls in my high school class would NOT have liked this deck, because it would have been "weird," "dark," or "creepy." It's not "pretty" enough to be a girly fantasy deck (like maybe the Moon Garden?), not sleek and sexy like the Steampunk by Moore, it's not fairytale enough to be delicate like the Paulina, and it's just not quite "cool" enough for the mainstream. Maybe you're right that girls in 1980 would have found it more appealing, but I doubt it, since I think the modern aesthetic was more the same than different for those groups.
there was a '91 remake of Dark Shadows? I must have missed that - I think I missed a lot of the 90's.